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Thursday, October 15, 2026
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Ballet Luminary Matthew Ball on Demanding Parts and Social Media Scrutiny: 'I Don't Feel Protective About My Body'

In the hushed atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's carriage is naturally upright, his arms muscular beneath a plain white T-shirt. On stage, ballet dancers can appear as mighty deities, yet often in person they are petite. This is not true for Ball, whose height is one reason for his popularity for heroic characters and partnering. With fine features and piercing eyes, there's a touch of Robert Pattinson about him.

An Apparent Rise to the Top

At 31, Ball is enjoying the crest of a career that has advanced seamlessly. Raised in Liverpool, he faced little teasing for his early interest in ballet. Joining the Royal Ballet School at 11, he moved directly into the company and was advanced each year, attaining the top rank of lead dancer in 2018. He has loved taking on meaty dramatic roles, especially the psychological turmoil found in a famed choreographer's works.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

Ball's upcoming starring role is in a talk, in an "In Conversation" series designed to offer intimate perspectives into a performer's craft. He will walk the audience through a part, showing his cognitive process during performance. Yet in lighter ballets, the test is profound. "A classic ballet is one of the toughest technically," he notes.

The Psychological Struggle and After the Show Feelings

What about following a performance, when he has pulled it off? "It's pretty good," he says. "But because I'm trying to extract all the emotion out of it, and get lost in the character, frequently I do feel self-conscious later. Following an intense role I'm always thinking: Wow, what must people think?"

Offstage, Ball is thoughtful, mild-mannered, and quick to laugh at himself. But a choreographer once remarked on a "sense of suffering in him." Does this exist? "I am very energetic usually, but I do have a melancholy streak," he confesses. "I somewhat enjoy pessimism sometimes. I've always felt that doubt has been an instigator for good change."

Formative Drivers and Artistic Inspirations

His determination originated in early experiences. Not doing well in contests at school made him "driven!" This became motivation to prove he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.

An upcoming challenge is making his own dance works. In his view, "there's nothing wrong with." "Challenging the rules is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing ideas from literature, music, and painting.

Intimate Dance and Personal Dynamic

He additionally is interested in staging dance in smaller venues. "It was just really exciting," he says of a previous show. "You’re so near to the viewers. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"

Ball has made pieces with his partner, fellow lead dancer Mayara Magri. The level of faith between them is clear. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." They are not usually matched on stage at their main theater, which might be beneficial. "We’re both quite determined people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s favorite cheerleader."

Regarding Instagram and Bodily Perception

On Instagram, fans can see videos from his dance films and images that highlight a sculpted form. Does he mind that the engagement can be a bit objectifying? Not really. "The body is just what we use, so I don’t feel very precious about it," he states. He relates it to seeing Michelangelo’s David—something that can be interpreted on multiple levels.

Ball describes his early self as "eager for success." Has it lived up to his hopes? "I feel very aware of how life is a different thing to the aspirations you had as a child," he reflects. He probably has another ten years of dancing ahead. "I guess in the future, I want to be a bit more kind with myself."

Written by

Janice Mcfarland

A tech journalist and lifestyle blogger with a passion for exploring digital innovations and cultural trends.

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